By 1977, the show was supposed to be over. Disco had peaked. Glam rock had grown up. The critics had moved on. But on Friday nights at 54th Street, the people who refused to leave the dance floor were still the most interesting people in New York.
They weren't there for the first act. They were there for the encore,the part of the night where the lights got lower, the rules loosened, and the people who showed up late turned out to be the ones worth knowing.
The 54 Encore is the loud one. Oversized flat-top shield in heavy black acetate, green-to-amber gradient lens like the gold light over a dance floor at two in the morning. Built theatrical on purpose.
Retro-inspired lenses
Gradient UV400 lenses for complete UVA/UVB protection
Impact- and scratch-resistant built
Lightweight for all-day comfort
By 1977, the show was supposed to be over. Disco had peaked. Glam rock had grown up. The critics had moved on. But on Friday nights at 54th Street, the people who refused to leave the dance floor were still the most interesting people in New York.
They weren't there for the first act. They were there for the encore,the part of the night where the lights got lower, the rules loosened, and the people who showed up late turned out to be the ones worth knowing.
The 54 Encore is the loud one. Oversized flat-top shield in heavy black acetate, green-to-amber gradient lens like the gold light over a dance floor at two in the morning. Built theatrical on purpose.
Retro-inspired lenses
Gradient UV400 lenses for complete UVA/UVB protection
Impact- and scratch-resistant built
Lightweight for all-day comfort
